After more than half a decade of development, Netflix unveiled its highly anticipated live action Avatar: The Last Airbender on Friday.
The show, adapted from Michael Dante DiMartino and Bryan Konietzko’s animated series that first premiered in 2005, follows the beloved story of Aang, an Avatar who can bend all four elements — water, earth, fire and air — and is responsible for maintaining harmony in his universe’s four nations. Along the way, Aang befriends waterbender Katara and her brother Sokka as they work together to end the fire nation’s war against the other nations. Frequently, the group faces off against Zuko, a fire nation prince locked in an ongoing pursuit of Aang’s demise.
Though Netflix’s live-action approach to the story heads for darker themes than Nickelodeon’s animated original, the cast of kids at the show’s center maintains the story’s sense of childlike wonder that is so beloved by fans.
The actors — Gordon Cormier (Aang), Kiawentiio (Katara), Ian Ousley (Sokka) and Dallas Liu (Zuko) — began their journeys toward the show around four years ago, navigating a blind casting process that (tried to) keep the subject of their audition a secret and involved a lengthy, international search for the right artists to bring DiMartino and Konietzko’s characters to life with the Albert Kim adaptation. Each an avid fans of the original (Cormier says he’s watched the show “26 times”), the group spoke to The Hollywood Reporter about how their love for the franchise gave way to their need to get the live-action story right — and where they’re hoping the show will go next.
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Let’s go back to the beginning. What do you remember about the casting process?
DALLAS LIU They sent all of us these dummy sides and fake character names. I know some of these guys didn’t know [it was for Avatar], but for me it felt obvious from the character’s description, and my fake name was “Juno.” I think, knowing the series, already being such a huge fan and Zuko being my favorite character… I definitely used that to my advantage throughout the audition process.
GORDON CORMIER I actually turned down the audition, because I had no clue what it was. I got the audition, and it was for a 12-year-old. I was a small 11-year-old at that point. I had told my agent, “I don’t want any more auditions like this because I’m too small to play 12.” So I turned it down. And then they sent it back and they said, “No, we really want to see this.”
Were you all fans of the animated series?
KIWAWENTIIO Me, Dallas and Ian grew up [watching] the show, but Gordon was actually born after it aired.
CORMIER After I booked the role, I looked up the animated series. I watched it 26 times, because I became a giant fan. I didn’t even really watch it to study my character — the first time was for that. Then I watched it again for the fun of it, and again, again, again, again. I feel like I really got to know Aang, to see what he’s going through and hopefully bring that into the live action, with a little bit deeper and darker tones.
LIU I think because of the significance of Dante Basco’s voice acting [Basco is beloved as the original voice of Zuko], I felt a little extra pressure knowing that there were such huge shoes to fill. But the way I navigated that was: We aren’t trying to make a remake scene for scene, line for line. We’re trying to get a new set of people involved. Hopefully, they love the show just as much as we do, and we give the old fans something new.
Were there any specific parts of your character you drew from the animated series, or anything you added that felt new?
IAN OUSLEY It’s such an amazing opportunity for the character of Sokka to go from an animated series to live action. When I watch the original series, I feel like Sokka is always the voice of the audience, so that’s something that I tried to carry over into our show. How can I be the voice of the audience and set the tone for everybody at home?
LIU We wanted to make sure we weren’t doing a caricature of these animated characters. For Zuko, in season one of the animated series, definitely for the first half of it, he’s quite melodramatic and extremely emotional to the point where his eyes are jumping out of his face. I think his relationship with Uncle Iroh in the live-action series was really cool for me. He’s not so much a brat to his own uncle who looked out for him and cared for him.
OUSLEY In the animated show, Sokka is [also] doing so many things that are animated. It was a big challenge to bring it into reality and not lose any parts of him. But in addition to that, what comes naturally with live action is the humanness. A lot of the things happening in the show are very real and very intense, and he gets to have real human reactions while also getting to find out what that comedy looks like.
Bringing this world into live action also meant some impressive martial arts from all four of you! What was your preparation for that?
KIWAWENTIIO It was helpful, we did a six-week boot camp before filming. That’s where I got familiar with the fight scenes I had to train for.
CORMIER I was super energetic. Running, around, doing all these exercises… that was heaven for 12-year-old me.
LIU For Gordon, he’s supposed to be a master at such a young age. He needed to be extremely well-versed in the style of air from the beginning.
OUSLEY It was really awesome watching the commitment to Gordon’s character, because he would go home and practice for hours and hours on his own. He was having so much fun. They had to keep him on the kids’ schedule still, but even as an 11 and 12-year-old, he was still putting in hours of work, because they were giving him videos to practice. It was awesome.
KIWAWENTIIO I feel like with my character, I got really lucky with the fact that I grew alongside her throughout the series. She doesn’t start out as a master, but she ends up that way.
LIU And Ian is actually a world champion martial artist in weapons, but his character isn’t an expert. So he had to unlearn those punches.
OUSLEY I love weapons in general, and Sokka has a really special attachment to his weapons, and his war club. So it was really cool to bring that over. But yeah, I had to unlearn a lot of that technique.
It’s been about a year and a half since you finished filming season one. What’s it been like reuniting for this press tour?
KIWAWENTIIO It’s so interesting, because I feel like we got so much closer after filming. We definitely got to know each other while filming. But it’s on a different level now, getting to spend that time apart and realize how much we actually care for each other.
OUSLEY The first time I saw Gordon [after filming], his voice had changed. I freaked out. I was like, “What is happening?” And then I kept telling him, “Talk again!” It’s been awesome to get to know each other again. We’ve grown up, and we’re growing together.
LIU We’ve grown, not just as actors and actresses, but each of us grew up as human beings, in front of the hundreds of people on set. Each of them had a huge influence on the people we are right now.
So, what are your hopes and dreams for a live-action season two?
KIWAWENTIIO With the animated series, it just gets better every season. I think adding a new addition to our group, getting to see Toph, is super exciting. It would also be really cool if I got to portray the Painted Lady.
LIU Season two is epic for Zuko. I want to do the one where I’m yelling at the lighting.
IAN I’m waiting for season three, though, because I want my sword. I am the world champion in weapons, specifically, so his sword would be a dream come true.
CORMIER Also season three, I really want to do that episode right before I go fight the fire lord and Aang won’t sleep. I start to see all these visions, and Momo and Appa start talking. It’d be so awesome.
All eight episodes of Avatar: The Last Airbender are now streaming on Netflix.